“The oil-drenched title sequence that opens David Fincher’s The Girl With the Dragon Tattoo includes mesmerizing details from all three of Stieg Larsson’s books about hacker heroine Lisbeth Salander, not just the one upon which the movie is based”, writes Wired.
That might seem like an odd choice, but it was intentional.
Blur Studio, the creator of the vivid opening, was given a mandate by Fincher to make the two-and-a-half-minute sequence a conceptual re-creation of Larsson’s full Millennium trilogy — and to completely turn the idea of title sequences on its head.
“I got a call from him, it was the middle of the night in Sweden and he was on some shoot that was going really bad,” Tim Miller, Blur’s co-founder and the creative director behind the sequence, said in a phone interview with Wired.com. “And he calls me and he says, ‘Look, you’re going to do this thing and it’s going to redefine titles for our generation the way Se7en did and that’s all there is to it.’”
So, as happened with Se7en’s title sequence, a song produced by Trent Reznor (in this case a cover of Led Zeppelin’s “Immigrant Song” with Karen O and Atticus Ross) became an eerie opening soundtrack, and Blur set about bringing Fincher’s primordial-ooze fever dream to life.
Read on at Wired.