Reporting in the June issue of Antiquity, archaeologist Marc Azéma of the University of Toulouse–Le Mirail in France and independent French artist Florent Rivère argued that by about 30,000 years ago Paleolithic artists used “animation effects” in their paintings. To render the movement, they deconstructed it in successive images.
Discovery.com reports that “according to the researchers, this would explain multiple heads or limbs on some cave paintings.
“Prehistoric man foreshadowed one of the fundamental characteristics of visual perception, retinal persistence,” Azéma and Rivère wrote.
Artists from the Stone Age
Azéma, who spent 20 years researching Stone Age animation techniques, isolated 53 figures in 12 French caves that superimpose two or more images to represent trot or gallop, head tossing, and tail shaking.
“Lascaux is the cave with the greatest number of cases of split-action movement by superimposition of successive images. Some 20 animals, principally horses, have the head, legs or tail multiplied,” Azéma said.
When the paintings are viewed by flickering torchlight, the animated effect “achieves its full impact,” said Azéma.”
Read on at Discovery.com.