The Civil War and American Art examines how America’s artists represented the impact of the Civil War and its aftermath. Winslow Homer, Eastman Johnson, Frederic Church, and Sanford Gifford—four of America’s finest artists of the era—anchor the exhibition. The exhibition in Washington, D.C. follows the conflict from palpable unease on the eve of war, to heady optimism that it would be over with a single battle, to a growing realization that this conflict would not end quickly and a deepening awareness of issues surrounding emancipation and the need for reconciliation. Genre and landscape painting captured the transformative impact of the war, not traditional history painting.
The Civil War and American Art – Trailer
The Civil War and American Art includes 75 works—57 paintings and 18 vintage photographs. The artworks were chosen for their aesthetic power in conveying the intense emotions of the period. Homer and Johnson grappled directly with issues such as emancipation and reconciliation. Church and Gifford contended with the destruction of the idea that America was a “New Eden.” Most of the artworks in the exhibition were made during the war, when it was unclear how long it might last and which side would win.
The exhibition also includes battlefield photography, which carried the gruesome burden of documenting the carnage and destruction. The visceral and immediate impact of these images by Alexander Gardner, Timothy H. O’Sullivan, and George Barnard freed the fine arts to explore the deeper significance of the Civil War, rather than chronicle each battle.
Until April 28, 2013 at the American Art Museum, Washington, D.C. (8th and F Streets, N.W.)
The exhibition travels to The Metropolitan Museum of Art in New York, N.Y. (May 21, 2013–September 2, 2013).
Image: Winslow Homer, Defiance: Inviting a Shot Before Petersburg, 1864, Detroit Institute of Arts, Founders Society purchase and Dexter M. Ferry Jr. Fund, Image courtesy the Bridgeman Art Library