Critics, curators and collectors who have complained recently about how the super-rich are ruining the art market should know better. Julian Stallabrass, professor of art history at the Courtauld Institute of Art, London, answers in The Art Newspaper.
” A minor squall has blown up after the American art critic Dave Hickey’s announcement that he has “retired” in disgust from writing criticism. Art is now too popular—“I miss being an elitist and not having to talk to idiots,” Hickey said in a recent interview. Art, he contends, is made for a bunch of extremely rich people for whom the critic acts as “intellectual head waiter”. The Observer newspaper also reported that a number of prominent curators have complained anonymously of having to defend overrated works that happen to be worth a lot of money. One of them even described Tracey Emin’s art as “empty”.
Hickey, we may remember, became well-known as one of the more eloquent champions of “beauty”—that is, of a cheery, market-friendly prettiness in art. Once a dealer, he assured his readers that art buyers following their tastes would produce a various and salutary beauty that could be held up against the dreary run of grim and grimy politicised art found in public spaces and on the biennial scene. It was a version of the Republican “market good, public bad” reflex, applied to contemporary art. Hickey even staged a counter-biennial at Site Santa Fe in 2001, filling it with happy, bright and colourful sculptures and paintings, along with a lot of flowers.
So, coming from him, the complaint that the market has become too unpleasant is odd.”
Read on at The Art Newspaper.