Frida Kahlo – The Movie and a Documentary

Posted April 3rd, 2013

Documentaries, Film, Mexico, Paintings, Surrealism, Videos

Frida Kahlo
Watch an award-winning documentary from 1983 which provides a stirring look at the life and times of Mexico’s most famous woman painter, Frida Kahlo. Although the film is old, with simple editing techniques, it eloquently portrays the artist’s life in the famous “Blue House” outside of Mexico City that she shared with her husband, the famous muralist and painter Diego Rivera. A near fatal bus accident, years of traumatic surgery, and endless heartache left Frida Kahlo devastated, relentlessly transferring her physical and emotional pain to the canvas.

Documentary: Frida Kahlo (1983)

Readings from her diaries, archival photographs, and film footage offer an intimate portrait of one of the most astonishing figures of the twentieth century. Narrated by Sada Thompson and commentary written by Hayden Herrera, this documentary explores Kahlo as the center of the Mexican renaissance of the 1920s and 1930s. Not just as an artist, but as a tragic figure as it follows her painting career, her growing interest in politics and her turbulent relationship with her husband, Diego.

Frida – Feature Film

Frida is a 2002 Miramax/Ventanarosa biopic which depicts the professional and private life of the surrealist Mexican painter Frida Kahlo. It stars Salma Hayek in her Academy Award nominated portrayal as Kahlo and Alfred Molina as her husband, Diego Rivera.

Frida begins just before the traumatic accident Frida Kahlo (Salma Hayek) suffered at the age of 18 when a trolley bus collided with a motor bus she was riding. She is impaled by a metal pole and the injuries she sustained plague her for the rest of her life. To help her through convalescence, her father brings her a canvas upon which to start painting. Throughout the film, a scene starts as a painting, then slowly dissolves into a live-action scene with actors.

Frida also details the artist’s dysfunctional relationship with the muralist Diego Rivera (Alfred Molina). When Rivera proposes to Kahlo, she tells him she expects from him loyalty if not fidelity. Diego’s appraisal of her painting ability is one of the reasons that she continues to paint. Throughout the marriage, Rivera cheats on her with a wide array of women, while the bisexual Kahlo takes on male and female lovers, including in one case having an affair with the same woman as Rivera.

The two travel to New York City so that he may paint the mural Man at the Crossroads at the Rockefeller Center. While in the United States, Kahlo suffers a miscarriage, and her mother dies in Mexico. Rivera refuses to compromise his communist vision of the work to the needs of the patron, Nelson Rockefeller (Edward Norton); as a result, the mural is destroyed. The pair return to Mexico, with Rivera the more reluctant of the two.

Kahlo’s sister Cristina moves in with the two at their San Ángel studio home to work as Rivera’s assistant. Soon afterward, Kahlo discovers that Rivera is having an affair with her sister. She leaves him, and subsequently sinks into alcoholism. The couple reunite when he asks her to welcome and house Leon Trotsky (Geoffrey Rush), who has been granted political asylum in Mexico. She and Trotsky begin an affair, which forces the married Trotsky to leave the safety of his Coyoacán home.

Kahlo leaves for Paris after Diego realizes she was unfaithful to him with Trotsky; although Rivera had little problem with Kahlo’s other affairs, Trotsky was too important to Rivera to be caught up with Rivera’s wife. When she returns to Mexico, he asks for a divorce. Soon afterwards, Trotsky is murdered in Mexico City. Rivera is temporarily a suspect, and Kahlo is incarcerated in his place when he is not found. Rivera helps get her released.

Kahlo has her toes removed when they become gangrenous. Rivera asks her to remarry him, and she agrees. Her health continues to worsen, including the amputation of a leg, and she ultimately dies after finally having a solo exhibition of her paintings in Mexico.