ikono invites Ars Electronica, an interdisciplinary hub and one of the world’s leading media art festivals based in Linz, Austria, to present two of their wonderful projects: the ZeitRaum installation, designed by the Ars Electronica Futurelab for the Vienna International Airport in 2012, and a film on Franz Gesellmann’s famous Weltmaschine:
The Ars Electronica Futurelab inaugurated a new virtual space inside the new terminal of Vienna’s airport to be passed by more than five billion strangers a year – five billion people on a journey through an imaginary interzone between security checkpoint and takeoff.
ZeitRaum embeds art in a public space where people are more open to artistic ideas while waiting for their flight. Caught up between time zones and connecting flights the visitors encounter the ZeitRaum space for the first time at Check In 3 area, where a large screen reacts to the motions of each new guest arriving by releasing letters of scientific or poetic texts. Arriving and departing planes create data mountains of information before dissolving into thin digital air again.
After leaving Check In 3, everyone will encounter further artworks connected to time and space: Yugo Nakamura’s Industrious Clock uses handdrawn digits for the digital clock, while the Last Clock by Jussi Ängeslevä and Ross Cooper display live footage from the airport in three rings updated by the hour, minute or the second. AIRPORT SOUNDSCAPES #1 by Rupert Huber is a datasonification project turning data from the tower into audioscapes surrounding the visitors with the sound of traffic.
The Weltmaschine of Franz Gsellmann
The Weltmaschine (World Machine) is a kinetic installations built by austrian farmer Franz Gsellmann (1910-1981). Without any special knowledge or an artistic background and inspired by a religious vision, Gsellmann started working on the machine after seeing the Atomium at the World’s Fair 1958 in Bruxelles and finished it right before his death in 1981.
Built by discarded everyday objects and material, the Weltmaschine looks like an elaborate Hollywood prop from the lab of a mad scientist or the steam engine of Captain Nemo’s Nautilus. It’s four meters long, two meters wide and four meters high. It has around 2000 pieces, including a toy rocket Gsellmann had imported from Japan. Long forgotten the Weltmaschine was rediscovered and filmed in action by Ars Electronica in 2011, while the real one is still on view in a private museum in Edelsbach near Feldbach, Austria.